Halloween Day 5: The Ring (2002)

After her niece mysteriously dies, a reporter sets out to find the cause. On her way, she discovers a tape that, when watched, gives you seven days to live.
It makes a lot of sense that this film was directed by Gore Verbinski. As Japanese horror remake, it serves its purpose well. Its a pretty good film, markedly free of jump scares like other, more recent, remakes. The atmosphere is heavy and the dialog is worthwhile, even if it outstays its welcome. A pretty good movie.

Halloween Day 4: The Evil Dead (1981)

A few friends drive into the woods, to a cabin for a weekend. When one of them finds some old relics in the basement, including a book bound in flesh and a tape recording, they unleash something old and something dead.
The Evil Dead is an amazing film. Beginning to end, some of the finest horror you'll ever experience. Sam Raimi, at least during this era, can do no wrong. Evil Dead is a certifiable classic, as are its comedy successors. Every bit as exciting and scary as it should be. A great romp.

Halloween Day 3: Resolution (2012)

In resolution we find ourselves transported into a world where a man has chained his best friend to a pipe in the wall of an abandoned house in the middle of nowhere. As the friend detoxes from meth, the man begins to lose himself in his own story.
The meta-narrative is kind of played and the ambiguity of the film, which admittedly is its high-point in a great climax, feels kind of forced. Otherwise this is a fantastic, superbly acted, tightly written, high-tension, full intrigue, spectacular film.
In a meta way, as so eloquently portrayed by the film, I'm starting to lose my edge with regard to horror films. Maybe its getting older, maybe its something worse, but I'm continuing to find myself more anxious about what's going to happen to the characters than I am about "monsters" or whatever. More anxious, less scared. It works pretty well in this film, where everything is chekhov's gun, and the constant worry of when its all going to fall in place adds to the movie but overall, tension has got my stomach in pits lately. Maybe I'm losing my edge. This movie made me think about these things, and any horror movie that leaves you thinking is a good one. Any movie that leaves you thinking is a good one, in my opinion.
This isn't really much of a review. Consider it an Op-Ed.

Halloween 2013 Day 2: Silent House (2012)

A young woman with her father and uncle begin to overhaul an old family home for sale. The family soon, as in like immediately, begins to experience all the symptoms of a home invasion. After her father and uncle disappear, Sarah is forced to navigate the dark house alone.

First of all, this is a bad movie. Anything that sounds positive about it, let me assure you, its a bad movie. The majority of the movie is made to look like its one continuous take, which it clearly isn't. The scares, while legitimate at the beginning, begin to wane very quickly. The story is essentially non-existent until the final act, where you'll start to wish the story was still non-existent. With an ending as uninspired, hacky, and offensive as the one supplied with Silent House, its no small wonder it tanked.

A lot of genre films get away with a lot as far as offensive stuff goes, and god knows this blog has made those concessions as well. The final act of Silent House is so beyond the pale with ham-fisted, unneeded, explicit, and tactless use of child abuse and rape, the directors should be ashamed of themselves for creating it. Ugh. And it thinks its so mature and forward-thinking to address heady problems like this in film and maybe there is a place for it, Martha Marcy May Marlene, another Elizabeth Olsen film, addresses some similar themes in an adult manner, but in my opinion, if you don't have the chops required to do something sensitive in an appropriate manner, maybe don't try. You're going to make a bad movie and alienate people, at best.

Why is it so hard to deliver a satisfactory ending to a horror film?

Halloween 2013 Day 1: Carrie (1976)

In the 1976 film Carrie, we're introduced to our protagonist as a reserved, isolated, mocked, and, most importantly, pure girl. When that purity is put into question, she begins to exhibit supernatural powers, specifically telekinesis, and her mother, abusive from the get go, begins to escalate her physical and emotional attacks on Carrie. As Carrie grows stronger and stronger, her high school peers begin to plot against her while her mother prays for her salvation.

Brian De Palma is a director who understands cinema better than most, and he guides what would be a rather uninspired script to a fantastic film. The editing in this film is superb, making great use of split screen and other, less traditional, tools in the cinematic arsenal. There's much more praise I could lay at the feet of De Palma. The soundtrack comes off as cheesy at times and the film might not have aged as well as some of its campier peers, but Carrie serves as an excellent piece of film.